These biographies were taken from her official site in 2002 and 2004.

2004 Biography:
Unapologetically original. Unabashedly in your face. Avril Lavigne's 2002 debut Let Go gave young women a defiant voice and set it to music they could rock out to. Fourteen million albums and eight Grammy nominations later, the Canadian chanteuse returns with Under My Skin but if you're expecting a whole lot of the same, you've got another thing coming. This is not a girl who rests on her laurels.

Under My Skin opens with the dramatic tracks "Take Me Away" and "Together," which set the scene for the kick-ass guitars and radio-ready chorus of "Don't Tell Me," a song of willful female empowerment that picks up where "Complicated" left off. From there it's a one-two punch of three-chord guitar licks ("He Wasn't") and head-bopping optimism ("Who Knows") alongside swirling, brooding melodies ("Freak Out") and moody tracks ("Forgotten," "Nobody's Home") that reveal a darker side of Avril Lavigne.

"I grew up so much in the past two years," admits the Napanee, Ontario, native. "I've been through a lot, I've learned a lot, and experienced a lot both good and bad. These songs are about all of that, and each is very personal to me." Working with producers, Butch Walker (of the Marvelous 3), Raine Maida (of Our Lady Peace), Don Gilmore (Linkin Park, Pearl Jam), Avril co-wrote the dozen introspective songs on Under My Skin in near secrecy. "I'd just come off my world tour and got back to Toronto and was writing right away," the 19-year-old says. "I had no idea what I was going to do. No one did. People wondered if I'd run out of things to write about, but it was the opposite."

After a lunch date with fellow Canadian singer-songwriter Chantal Kreviazuk turned into a major chick-bonding session, Avril and Chantal sat down to write. The chemistry was ineffable. "We got together one night and all of a sudden we had a song," she says. "No one knew what I was up to, not my management, not my label." The duo got together the next night and wrote another song. "We did that for two weeks and wrote 12 songs." Momentum took over and by summer Avril was moving into Chantal and her husband Raine Maida's Malibu house to record. "I was only off my tour for a couple of weeks, and I was ready to record," Avril recalls.

The California air provided a needed escape from Avril's frantic life. "It was a great time for me, living out there, being out of the public eye, and having my independence. And my friendship with Chantal evolved into one of the best I've ever had." Chantal and Avril would spend all night in the studio perfecting the songs. During the day, Avril learned the city by driving to and from the studio and where ever she needed to be. No photos, no interviews, no pressure. Eventually they recorded most of the songs in Raine's studio, and those songs appear unaltered on Under My Skin. The rest of the tracks, co-written with her guitarist Evan Taubenfeld (and one track with former Evanescence guitarist Ben Moody), were cut just up the road. "I was involved in every aspect of making this record. I'm very hands-on," she says. "I knew how I wanted the drums, the guitar tones, and the structures to be. I understand the whole process so much better this time because I've been through it. I'm really picky with my sound."

Picking favorites out of her 12 hand-made babies is another matter. "They all mean so much to me, but I love 'Together,' which is all about being in a relationship and knowing it's not right. It's a song that basically says, it's not working out honey." A couple of other tracks mine dysfunctional relationships and have hooks as catchy as those on "Complicated" and real-life narratives (like "Sk8er Boi"), but what truly underscores Avril's growth are the more positive tracks, such as "Who Knows" and "Take Me Away." "I guess that's just the way that I am now," admits the former supposed attitude junkie. Deep, piano-driven tracks like "Together" and "Forgotten" reflect Avril's growth, maturity, and change since the release of Let Go. "I'm happy with what I'm doing and have faith that everything is going to work out for the best." She's also found a feminine side to offset her well-publicized tomboyishness. "I'm such a chick. I'm a hopeless romantic, and surprisingly old-fashioned," Avril laughs. "That's why I wrote a song about not giving it up to just any guy ["Don't Tell Me"]." Girly quirks aside, Avril is anxious to get the show on the road. "It feels so good to be singing new songs," she says. "I feel refreshed and I'm looking forward to the next thing."

Optimistic or melancholic, Avril's two year wild-ride on the rock-star express has shaped her world view and taught her a whole lot about balance. "The songs on Under My Skin are definitely deeper than those on Let Go," she says, "But I still love a good pop song. I'm basically just a girl who likes to write, who likes to rock out, and who wants music to be a part of my life forever."

She's also just a girl with a bell-clear voice and the ability to bottle youthful anguish and enthusiasm into tidy, infectious songs. Avril Lavigne's Under My Skin is sure to get under yours.

2002 Biography
Anything but ordinary. That's putting it mildly when describing Avril Lavigne. A skater-punk, a dynamic spirit, a true wild child. One of those rare creatures who started wowing people with her voice and character at around age 2. A small-town kid who couldn't sit still in class but had the confidence and determination to take off, virtually on her own, to hone her songwriting skills in New York City and Los Angeles. A startlingly up-front and outrageous 17-year-old with everything it takes to reach stardom-completely on her own terms. "I'm just coming out and I'm going to clearly be myself-I write what I feel, I never worry what others think, " Avril avows. "I'm gonna dress what's me, I'm gonna act what's me and I'm gonna sing what's me."

Avril does exactly that on her debut CD, Let Go, flaunting sassy vocals, a crystal clear voice with real-girl lyrical style. "Anything But Ordinary" is a rockin' ode to individuality, while guitar-driven first single, "Complicated," is a simple song that kicks pretenders to the curb. The string-inflected "I'm With You" reaches out for connection to reflect Avril's more mellower side, but tracks like "Losing Grip" and "Unwanted" courageously confront rejection and betrayal with all the heaviness such subjects demand. Then there's "My World" and the metaphoric "Mobile," which perfectly articulate the Avril experience. "I have this awesome opportunity to fulfill my dream. I am all over the place, flying here and there, going through different stuff every day," she explains. "This is my lifestyle, but I wouldn't want a normal life or I'd get bored."

Apparently, Avril was born for such insanity. A middle child who "always wanted to be the center of attention," she was bound to bust out of Napanee, Ontario, population 5,000. "I always knew this was what I had to do," she says. "I remember when I was really young, standing on my bed like it was a stage, singing at the top of my lungs and visualizing thousands of people surrounding me." She segued from her bedroom to singing, well, whenever and wherever she could-starting in church singing gospel music, and on to festivals, then singing country music at fairs and talent contests-until she was discovered by Arista Records.

On a writing trip to NYC, Avril caught the attention of Antonio "LA" Reid, who snapped her up and signed her to Arista. At 16, she moved to Manhattan and began work on her debut CD. Avril plunged into the creative process. "I love writing," she explains. "When I get upset and really need to get it out of me I go to my guitar. Sometimes I feel like my guitar is my therapist."

Although Avril virtually lived in the studio during that New York stint, her efforts didn't pay off at first. "I started working with these really talented people, but I just wasn't feeling it; the songs weren't representative of me," she admits. "Then they started talking about having people write for me, but I had to write myself. I had to do my music. It was a really stressful time, but I never considered giving up." Instead, she flipped coasts. Los Angeles gave Avril the fresh start she needed.

It was there that she hooked up with producer/songwriter Clif Magness, and "I was like, 'Yeah! I've found my guy!'" she enthuses. "We totally clicked, because he just let me guide; he really understood me and let me do my thing." The songs for Let Go began pouring out, with Magness at the helm as well as up-and-coming production team the Matrix. Soon after Avril hooked up with Nettwerk Management who've steered the careers of Sarah McLachlan, Dido, Coldplay, Barenaked Ladies and Sum 41.

Avril couldn't be happier with the way the album turned out. "In this past year I've really grown as a writer. 'Complicated' wasn't written about anyone in particular. It is basically about life, people being fake and relationships." As to one of her favorite tracks, "Losing Grip," she says, "That is definitely one of my ex-boys-he didn't give me what I needed emotionally." Avril laughs, "It doesn't matter now, and plus I got a good song out of it."

Now that her album is done, Avril can't wait to get out and play. She jokes, pointing out that touring with her own sk8er punk band of rocker boys probably won't be all that different from her childhood, "I was always a tomboy and I guess I still am. I played hockey during the fall /winter and baseball in the summer. I loved playing with the boys.

But Avril's music is capable of reaching the girls and the guys, and more than a few adventurous adults too-and she's chomping at the bit to bring it to 'em. "I can't wait to be out there; I want to rock the world! I want people to know that my music is real and honest -it came from my heart. I was just being true to myself."

Avril's real, all right. And ordinary? Anything but.